Rabu, 28 Desember 2011

Free PDF Harmony and the Bhagavad-gita: Lessons from a Life-Changing Move to the Wilderness, by Visakha Dasi

Free PDF Harmony and the Bhagavad-gita: Lessons from a Life-Changing Move to the Wilderness, by Visakha Dasi

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Harmony and the Bhagavad-gita: Lessons from a Life-Changing Move to the Wilderness, by Visakha Dasi

Harmony and the Bhagavad-gita: Lessons from a Life-Changing Move to the Wilderness, by Visakha Dasi


Harmony and the Bhagavad-gita: Lessons from a Life-Changing Move to the Wilderness, by Visakha Dasi


Free PDF Harmony and the Bhagavad-gita: Lessons from a Life-Changing Move to the Wilderness, by Visakha Dasi

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Harmony and the Bhagavad-gita: Lessons from a Life-Changing Move to the Wilderness, by Visakha Dasi

Review

"A marvelous job ... an inspirational memoir and a pleasant reminder that there is a spiritual side to our existence."-- Five-star review by Susan Sewell for Readers' FavoriteFive-star review by Susan Sewell for Readers' Favorite Harmony and the Bhagavad-gita, Lessons From A Life-Changing Move To The Wilderness by Visakha is a spiritual anecdote in a narrative form. Being an atheist most of her life, the author discovers jivatma, which translated from Sanskrit means soul. To achieve sacredness, the narrator and her family needed to live in a more pure and natural place. They lived in Los Angeles, California, filled with concrete and chaos. To fulfill their souls' conscious needs, the family moved fifteen hundred miles to the remote location of Sharanagati. There in their beautiful secluded home, they find it easier to connect with jivatma. With bhakti, the service to God and the help of Krishna and the Bhagavad-gita, lessons are internalized in harmony with nature. When the bears ate all but one of the carrots that the author had so diligently cared for, she was able to correlate the premise from yoga, "to abandon all attachment to success or failure." It, therefore, left her free to find the humor in the unforeseen incident and be the recipient of a gift of carrots later on. Her battle with the ants was sorted when those same bears came and cleaned out the ant's nests. Through the many changing seasons, the family finds their desired spiritual harmony. Without the noise and the chaos of the modern world, they see the connection of all things and are content. Harmony and the Bhagavad-gita, Lessons From A Life-Changing Move To The Wilderness by Visakha is a spiritual and devotional narrative. The book is the author's memoirs of her family's move to a secluded countryside. It is integrated with the spiritual lessons that she learns from her experiences. The author relates her experiences to the Bhagavad-gita and other religious teachings included in each of the chapters. The author has done a marvelous job writing this book, and I am grateful that I was able to learn from it. This book is an inspirational memoir and is a pleasant reminder that there is a spiritual side to our existence.

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From the Author

I first heard of Bhagavad-gita when I was trekking with my then boyfriend (now husband) John Griesser in the Himalayas way back in the summer of '71. We were at the snow line, 10,000 feet at that time of year, and decided to spend a few restful days in an abandoned cowshed. From deep inside his backpack John pulled out a blue paperback with a line drawing of a regal, four-armed person on the cover.During our stay, I sat for hours surrounded by towering snowy peaks in crystal-clear air, with no other humans around, trying to read this early edition of Bhagavad-gita As It Is, by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. I understood little but I was intrigued. The idea of tolerating dualities and remaining equipoised in their midst enticed me, as did the concept of an eternal spiritual presence within all living beings. And the Gita opened me to the thought that I could improve my character as well as the quality of my life through knowledge.Over the years, as I continued studying the Bhagavad-gita and practicing its precepts, my respect for its wisdom, relevance, and comprehensiveness grew. Gradually the Bhagavad-gita revolutionized my life. Harmony and the Bhagavad-gita explains why.

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Product details

Paperback: 200 pages

Publisher: CreateSpace Independent Publishing Platform (December 13, 2014)

Language: English

ISBN-10: 150336478X

ISBN-13: 978-1503364783

Product Dimensions:

6 x 0.5 x 8 inches

Shipping Weight: 11.5 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#1,993,782 in Books (See Top 100 in Books)

Harmony and the Bhagavad-gita is a rich, transformational book that invites the reader to see life with new eyes. Visakha's authentic sharing highlights the growth opportunities available in each and every experience and her insights show the potency of spiritual teachings to guide our way and enrich our love for God, self and others. The challenges and joys of relationships, communal- and self-sufficient living--and life ingeneral--are examined through a perspective that allows us to presence our humanity yet challenges us to amplify our spiritual vision, leading to true harmony within and without. Practical and Powerful.

Though I have just started reading this book I am very familiar with it's background and contents. This book gives an insight to a young family's spiritual journey that started around 1971 and inspired them to move from Los Angeles to a Nature's commune in Canada. For those of you you interested in knowing your real self (spiritual self) I would also recommend that you read the Bhagavad Gita referenced in this book. Happy reading.

I loved this little book. From page one to the end I attained peace of mind as I read of the author's search for meaning. From living in the hustle and bustle of urban life in L.A. to her initial struggles, successes and failures in the wilderness of western Canada, the author gives a first-hand account while applying her spiritual master's teachings of simplicity, sustainability and spirituality through Bhagavad-gita as it is.If you always wanted to live the spiritual life but have been putting it off, I highly recommend this book. It will give you hope.

Visakha's Harmony and the Bhagavad-gita is truly inspiring to me to read and re-read. The simplicity and depth of her masterful writing transports me to a magical place on earth, Sharanagati, and to a mystical place within, in search of my own self. The author's honesty and integrity in sharing her insights on the timeless teachings of the Gita set an example for every writer--how to write and uplift others as a service, without pretension and desire for fame. I look forward to her next book.

Very enjoyable read, beautiful setting, well written, uplifting. Loved it.

Really liked it! Visakha is amazing; so intelligent and such great realizations.

At some level we all know that simple spiritual truths has the potential of liberating us from all life's problems, simplifying and enriching our life in the process.Now here is a very nice book, wherein the author Visakha Devi Dasi beautifully interweaves timeless truths from Bhagavad Gita, from many thinkers, philosophers, masters & open heartedly narrates how these eternal wisdom helped her to navigate trying circumstances, events, struggles from her life establishing a beautiful harmony within herself & around her (with her family, community and nature)In this nice absorbing odyssey, from the moment the author steps with her family from her LA Apartment to remote British Colombia community, we will follow her everywhere. Simple yet poignant photos enhance the vivid descriptions of everyday life of the wild. The book is a nice alchemy of a skilled, eloquent writer having in-depth spiritual knowledge & clarity. A nice book for anyone looking to live each day with inner peace, harmony, meaning and balance

I absolutely loved reading this book. It is a transformational text that draws parallels between the author’s life in an idyllic mountain valley, everyday interactions with fellow spiritual and devotional practitioners and the lives of others on a similar path, the challenges and obstacles one might face on such a path, no matter where they are. It offers deep practical realizations and insights into what the spiritual life of a Bhakti yogi means and how each situation can be used as an opportunity to serve the Supreme.I am grateful for Visakha devi’s candor, her humor and her ability to engage the reader in this timeless piece!

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Sabtu, 03 Desember 2011

Get Free Ebook Transit (New York Review Books Classics), by Anna Seghers

Get Free Ebook Transit (New York Review Books Classics), by Anna Seghers

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Transit (New York Review Books Classics), by Anna Seghers

Transit (New York Review Books Classics), by Anna Seghers


Transit (New York Review Books Classics), by Anna Seghers


Get Free Ebook Transit (New York Review Books Classics), by Anna Seghers

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Transit (New York Review Books Classics), by Anna Seghers

Review

“This novel, completed in 1942, is in my opinion the most beautiful Seghers has written. . . . I doubt that our post-1933 literature can point to many novels that have been written with such somnambulistic sureness and are almost flawless.” —Heinrich Böll“Tranist belongs to those books that entered my life, and to which I continue to engage with in my writing, so much that I have to pick it up every couple years to see what has happened between me and it.” —Christa Wolf“Transit is Seghers' best full-length novel. And Transit may be the greatest Exilroman ever…” —Dialog International   “Anna Seghers in Transit has painted a grim and crowded picture of Marseille when it was still a port of possible escape for the fugitives of all Europe…[Transit’s] very air of confusion and blind groping is consonant with its theme…it is credible and arresting…there is an amazing variety and reality in event the least of the characters.” —Christian Science Monitor   “No reader will question the author’s sincerity as she strives to anatomize the refugee mind.” —The New York Times Book Review  "What makes Miss Seghers's story so convincing is the human authenticity of her characters, and the masterly panorama of Vichy Marseille, that 'tiny spigot through which the world flood of Europe's fleeing thousands sought to pour.' Often as that heart-choking picture has been drawn before, both in factual reports and fiction, Miss Seghers's presentation will stir the reader's imagination to its depth." —The Saturday Review"On its own, this story is an important untold story of the refugee situation in Second World War-era Europe, but in its own grappling with its allegorical nature, Segher transforms the book into a masterpiece. Seghers balances these two impulses in telling her story with an existential, theological layer. The situation of these refugees mimics the course of the human soul." —Joe Winkler, Vol 1. Brooklyn

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About the Author

Anna Seghers (née Netty Reiling; 1900–1983) was born in Mainz, Germany, into an upper-middle-class Jewish family. She was a sickly and introverted child by her own account, but became an intellectually curious student, eventually earning a doctorate in art history at the University of Heidelberg in 1924; her first story, written under the name Antje Seghers, was published in the same year. In 1925 she married a Hungarian immigrant economist and began her writing career in earnest. By 1929 Seghers had joined the Communist Party, given birth to her first child, and received the Kleist Prize for her first novel, The Revolt of the Fisherman. Having settled in France in 1933, Seghers was forced to flee again after the 1940 Nazi invasion. With the aid of Varian Fry, Seghers, her husband, and two children sailed from Marseille to Mexico on a ship that included among its passengers Victor Serge, André Breton, and Claude Lévi-Strauss. After the war she moved to East Berlin, where she became an emblematic figure of East German letters, actively championing the work of younger writers from her position as president of the Writers Union and publishing at a steady pace. Among Seghers’s internationally regarded works are The Seventh Cross (1939; adapted for film in 1944 by MGM), one of the only World War II–era depictions of Nazi concentration camps; the novella Excursion of the Dead Girls (1945); The Dead Stay Young (1949); and the story collection Benito’s Blue (1973).Margot Bettauer Dembo has translated works by Judith Hermann, Robert Gernhardt, Joachim Fest, Ödön von Horváth, Feridun Zaimoglu, and Hermann Kant, among others. She was awarded the Goethe-Institut/Berlin Translator’s Prize in 1994 and the Helen and Kurt Wolff Translator’s Prize in 2003. Dembo also worked as a translator for two feature documentary films, The Restless Conscience, which was nominated for an Academy Award, and The Burning Wall.Peter Conrad was born in Australia, and since 1973 has taught English literature at Christ Church, Oxford. He has published nineteen books on a variety of subjects; among the best known are Modern Times, Modern Places; A Song of Love and Death; The Everyman History of English Literature; and studies of Alfred Hitchcock and Orson Welles. His most recent book is Creation: Artists, Gods and Origins. He has contributed features and reviews to many magazines and newspapers, including The New York Times, The New Yorker, The Observer, the New Statesman, The Guardian, and The Monthly.Heinrich Böll (1917–1985) was one of Germany’s foremost post–World War II writers. He wrote short stories, essays, plays, and novels, the most famous of which are Billiards at Half-Past Nine, The Clown, Group Portrait with Lady, and The Lost Honor of Katharina Blum. Böll was awarded the Georg Büchner Prize in 1967 and the Nobel Prize in Literature in 1972.

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Product details

Series: New York Review Books Classics

Paperback: 280 pages

Publisher: NYRB Classics; Main edition (May 7, 2013)

Language: English

ISBN-10: 1590176251

ISBN-13: 978-1590176252

Product Dimensions:

5 x 0.6 x 8 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#49,226 in Books (See Top 100 in Books)

I read this in preparation for helping a group of students thoroughly understand it, but early-on I knew many of them were going to give up before chapter three! There are many characters that you have to keep up on, and the multiple voices in the text are problematical, even for me, amore-than-forty-years veteran of the classroom teaching English and American literature. In studying Seghers' background and her history didshed light on why her characters are so conflicted, but even that information didn't help many of the students (high school). A solid knowledge ofWWII and a background in psychology and sociology would help!

From the first paragraph it puts you inside the mind of a man--the narrator--who is fleeing the Nazi advance into France in 1939. He gets to Marseille, where he has to decide whether he wants to try to leave on one of the last ships. Marseille is claustrophobic. It offers only boredom, muted terror, and the frenetic but likely senseless activity of convincing bureaucrats to issue visas and tickets to leave. We wait with the narrator in one dismal café or other where the mistral blows endlessly outside and you can't get a drink unless it's an "alcohol day."Like Humphrey Bogart's character in Casablanca, the narrator is in love with a woman married to another man, but Marseille is no Hollywood movie set. Thoughts and feelings become unstable, then warp under the strain. The decision to leave Europe behind forever is not easy. A family where all except the grandmother have been granted visas refuse to leave even though the grandmother is certain to die within a few months and then all the others will all be interned. Marie, with whom the narrator has fallen in love, hesitates again and again because she refuses to accept that her husband the novelist Weidel is dead. The narrator too is confused. He says he doesn't want to leave, then puts all his energy and cunning into trying to get a transit visa.We know little about the nameless narrator. He escaped first from a German concentration camp and then from a French work camp, but he does not seem ideological or especially political. He seems to be an ordinary person who just hates Nazis: "their murderous commands and objectionable insistence on obedience, their disgusting boasts." For this reason it's not possible to read Transit and think: "well, that wouldn't have happened to me back then" or "that can never happen to me." This is one of Seghers' major achievements.One of the most moving moments is when the narrator reads Weidel's unpublished novel. It's the first novel the narrator has ever finished, and the beauty of the prose makes him feel that German is once more his language--the language of his childhood and youth, before the Nazis commandeered and disfigured it. This may not be what most people think of when they think of Nazi crimes, but for the narrator it is a very real, deeply personal loss. Perhaps Anna Seghers hoped her novel would reclaim and renew the German language for its first readers in the same way. Beautifully translated by Margot Bettauer Dembo, this English language version has the same simplicity and strength of feeling as Seghers' original prose.

This is one of those rare books about WWII that is written before the war is over. Neither the author nor the protagonists know who will ultimately win. Is it better to be imprisoned by the Germans or the Free French? Will Hitler take Marseille? Which is worse for one's visa prospects -- having fought for Franco or having lost one's identification papers in a concentration camp? Does escaping from the Germans make you friend or foe? America is still neutral. South America is still free of Nazis. How long will that last? All of which adds to this wonderful story about humans, indeed an entire continent, in limbo.

AcaDec selection for the coming school year, never heard about WWII through this perspective, great read!

"Transit"'s protagonist has been in double exile/triple imprisonment. He is an anti-Nazi, German political refugee who has escaped two prison camps to fall into a wider confinement in the city of Marseilles awaiting an uncertain next destination. Amplifying the effect of this limbo is the man's assumption of another's identity. Every action he takes, every relationship he has, is done in another man's name and with another's man's resume.Author Anna Seghers, herself a WWII refugee, has written the definitive story of displacement. The plight of the people continuously lining up for visas, waiting for ship departures and living off war and political rumor is palpable to the extreme, making the novel intensely uncomfortable at times. This is all in contrast to the rather clear evoking of wartime Marseilles, with its neighborhoods, harbor, cafes, shops etc. The characters in the story--all refugees or temporary residents--are like ghosts floating through the ancient and very solid city.Thought-provoking and worth reading if for no other reason than to experience the feeling of total disconnection and uncertainty that are the lot of refugees of any period. It certainly provides some insight into what is happening today on Lampedusa or in Northern Syria or several regions of Asia. Things we should know about and react to.

"Transit" provides a rare picture of everyday life in the early WWII era, the life of those waiting and hoping to migrate out of Europe and away from war. Through an unusual love story the reader experiences the complications, anxiety, heartbreak and daily challenges of those in transit. The narrative from the perspective of one man makes the story easy to read and enjoyable even though the character himself isn't always particularly likeable.

Great book

Awesome thanks

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